Will there be more step up movies series#
Will there be more step up movies tv#

But while Channing Tatum's character in the first film ultimately found his niche, balancing his personality to skills which he never knew he had, the protagonists in this film are on one level just as exclusive and in-your-face as the 410. It's trying very hard to make a point about needing to belong in a group or community, and its democratic approach to dancing will garner praise. Darko) suggests that she has limited emotional range.īecause of this acting deficiency, Step Up 2 falters where Step Up ultimately found its feet. Her subsequent career at the bad end of the horror genre (Sorority Row, Mother's Day and S. Evigan doesn't bring that balance, being so consistently aggressive that we end up finding her insufferable. Having a lead with attitude can be effective, provided that it can be balanced out by some kind of character development or at least an underlying sensitivity. Briana Evigan's credentials as a dancer are excellent, but as an actress she fails to make Andie West a likeable character. As much as we are impressed by the talent of the individual performers, the result is ultimately too thin and too flimsy to be involving.Īn equally big problem is our leading lady.

Will there be more step up movies tv#

We're living in an age where five-minute videos of people body-popping are ten-a-penny on YouTube, and with films taking so long to make compared to TV and internet shows, any film which includes such sequences has to offer something else to justify itself. Max Malkin's credits as a cinematographer are very thin, but he does a competent job of lighting movement around lots of water, which is not an easy thing to do.īut despite the impressive choreography, the dance sequences are not enough on their own to hold our attention or to make the film worthwhile as a narrative entity. The cuts are fast without suffering from the almost-ADHD attention span that plagues Rob Marshall's films (Nine in particular), and the sequence uses the bass drops in the music to effectively punctuate the various phases of the dance. The final showdown at 'The Streets', with Andie's crew outclassing the 410 in the rain, is visually pleasing. Many of the set-pieces are well-lit and reasonably well-directed. This is presumably because there is less of an effort to blend street dance with more classical or elitist forms of dance, something which sets the film apart from the original, albeit not enough to justify itself. They are impressively choreographed, and have a marginally more visceral quality than those in the first film. Step Up 2 (as it shall henceforth be called) goes in the exact opposite direction, in which the dancing dominates to such a degree that the plot becomes episodic, almost to the point of being irrelevant.Īs with the first film, there is a certain amount of pleasure to be gained from these set-pieces. The end result was hardly The Red Shoes, but is was a film in which the dancing served the plot, rather than the other way around.

Will there be more step up movies series#

In Step Up, you had a series of dance set-pieces which were integrated reasonably well within the dramatic storyline. What is in doubt is his ability to tie those dance moves to a story which is both interesting in its own right and told in an interesting way. His love of dancing is never in doubt, and nor is his ability to give his performers room within the camera to express themselves.

Chu's first commercial hit, which would lead him to direct the sequel to this and produce the following two instalments. Part of the reason for this disappointment is the director. While the results are not as disappointing as perhaps you might expect, it still fails to match the standard set by the first film. Its only connections to the first film are the Maryland School of the Arts and the brief, inconsequential appearance by Channing Tatum. Step Up 2: The Streets did not have to suffer the same, persisting ignominy of a straight-to-video release, but it does attempt the same kind of base trick. Straight-to-video sequels are notorious for how tangential their relationship is to the originals: American Psycho 2, for instance, centres on a girl who stabs Patrick Bateman after he murders her babysitter. A common tactic when making sequels is to repeat the same story arc as the first film, but with a character who is in some way related to or connected with the original protagonists.